Kestle Barton - Exhibition design
If you feel like working up a head of steam about the shortcomings of English architects, engineers and town planners, the south-west is a good place to go. Ian Nairn, 1967
Togetherness: Notes on Outrage celebrates the pioneering work of the architecture critic Ian Nairn whose 1955 edition of Architectural Review, entitled Outrage, revolutionised architectural criticism. For Outrage, Nairn travelled across England observing and documenting the urban sprawl and ubiquitous civic architecture. Broken into 25-mile segments, Outrage proposes an audit of every facet of subtopian aesthetics, covering subjects ranging from wire fencing, telegraph poles and street lights, to military installations and power stations, culminating in a manifesto and checklist of planning malpractices.
Togetherness: Notes on Outrage at Kestle Barton focussed on Cornwall and Nairn’s writings on the ‘wild’ environment. For the show, photographer Felicity Hammond presented a new large scale collage work, ‘Lands End’ in reference both to the Turner painting of the same name and the potential change in the landscape of the area. Polly Tootal’s large format architectural photographs referenced a number of site visits made to new residential and business developments across Cornwall. A recent graduate from Goldsmith’s MFA programme, Badham presented MORNING. A long term research project, MORNING explored the correlation between a series of ‘space race’ influenced climbing frames and the post-war New Towns movement.
Images: Ben Evans James & Netta Peltola. With special thanks to Dave Charlesworth.